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Expedite upgradation of IGH to super speciality hospital and medical college: PM Modi to minister Dattatreya
Following is a report from TNIE:
ROURKELA:Rourkela BJP legislator and former Union minister Dilip Ray on Thursday met Prime Minister Narendra Modi and apprised him about the inordinate delay gripping two mega infrastructure projects of Rourkela despite the PM’s announcement on the projects in April 2015.
Modi asked Union Labour and Employment Minister Bandaru Dattatreya to expedite the upgradation of RSP-run Ispat General Hospital (IGH) of SAIL into Super Speciality Hospital and Medical College, Ray said.
In a subsequent arrangement, SAIL has decided to implement the IGH project in collaboration with ESI Corporation, he added. Ray further said the PM also asked Union Minister for Road Transport and Highways Nitin Gadkari to expedite setting up of the second Brahmani bridge at Rourkela as part of NH 143 expansion project.
From the Sambad:
Following is a report from the Sambad:
BHUBANESWAR: Three eminent personalities from Odisha have been chosen for this year’s prestigious Padma Shri awards for their contribution to the fields of cinema, performing arts and music. Actor-director Sadhu Meher, Odissi dancer Aruna Mohanty and singer of the popular Sambalpuri song ‘Rangabati’, Jitendra Haripal, have been selected to receive the Padma Shri Awards-2017. Odisha-born, Dr Mukut Minz, now based in Chandigarh, has also been selected for Padma Shri.
Although a delayed move, the veteran Sadhu Meher is happy that he has been chosen for the award. “I am delighted that my contribution to both Hindi and Odia cinemas has been recognised,” said Meher, who has acted in 38 Odia films and directed five __ ‘Abhimana’, ‘Aparichita’, ‘Abhilash’, ‘Gopa Re Badhhuchhi Kala Kanhei’ and ‘Babula’.
The 77-year-old artiste has also directed a Hindi film, ‘Yeh Jaan Meri Hai’. In fact, Meher began his acting career with Hindi films like ‘Bhuvan Shome’, ‘Ankur’ and ‘Mrigaya’ and then moved on to do Odia films.
He, however, is unhappy with the present set of actors in Ollywood. “There are two kinds of actors. Someone who loves to act and one who likes to see himself on the screen. Today’s actors in Odia film industry belong to the second category. They just wear make-up and fancy clothes to appear on screen but have no dedication to learn the nuances of acting,” he said.
For Aruna Mohanty, the award is a recognition of her contribution towards propagating Odissi across the country and abroad. “I am extremely happy that the country has recognised my efforts towards promoting and propagating this ancient dance form,” said the dancer, who dedicated the award to Guru Gangadhar Pradhan.
Talking to ‘Express,’ Haripal said he owed his success to his wife Mallika. He said the award will give a boost to folk song.
Dr Minz successfully undertook a kidney transplant surgery on External Affairs Minister Sushma Swaraj. Minz is a native of Sundargarh district.
Bhubaneswar: Chairman of Airport Authority of India (AAI), Guru Prasad Mohapatra during a meeting on Tuesday said that the proposed plan of Jharsuguda airport in Odisha will be completed by May 2018. He said it is a joint project developed by AAI and the state government.
Earlier, the state government had signed an agreement with AAI to develop the airport with an estimated cost of Rs 210 crore by allotting a land of around 106.23 acres, out of which the government land proportion is 51.8 acres and that of private is 54.43 acres. As per sources, the government would fund Rs 75 crore while the rest would be funded by the AAI towards the development of the airport.
Further Mohapatra said, under the project, a modular designed passenger terminal would be made with handling capacity of 300 passengers including 150 for arrival and 150 for departure.
District Collector of Jharsuguda, Bibhuti Pattnaik said that tender has already been issued towards road construction to the airport.
The meeting chaired by the chief secretary Aditya Prasad Padhi along with other officials of AAI and the state government focused on various issues relating to road connectivity to the airport, land acquisition, strengthening of runway, taxi way, control tower and staff quarters.
Because she took birth on Gurubar (Thursday), parents kept her name Gurubari, which is a practice people follow in most part of the State. And, finally she also breathed her last on a Thursday.
Gurubari Mirdha from a nondescript village in Bargarh district left a void as she passed away recently with people of the State, particularly art connoisseurs, still remembering her sterling performance as a noted Sambalpuri and Dalkhai dancer. She had tremendous contribution to popularize Sambalpuri and Dalkhai dance in the country and singularly she was enough to keep the audience spell bound for hours together through the beats of her feet. Not irrelevant to mention that she even made former Prime Minister Indira Gandhi to dance on the stage with her as Gandhi as an audience could not help it before the enthralling dance Gurubari was performing in Delhi.
But with so much talent in her, she was unable to cash in on it for her financial security. Almost during her entire life period, she was living a very miserable life. As a BPL person, she had been allotted an Indira Awas, but that she couldn’t be completed as yet.
In the year, 1987, an Odia vernacular daily carried a detail story about her poverty that drew the attention of the people abroad. And, moved by the report, Odia artist from Sweden PK Mahanadia wrote a letter to Surendra Hota of Bargarh expressing his willingness to help her financially. But at that time Gurubari couldn’t be traced as she went out of the State as a Dadan Shramik (migrant labourer) to another State.
“Think the fate of a versatile dancer opting to work as a Dadan Shramik with whom the Prime Minister of India had once danced. This is also fate of many people in Odisha who came in direct contact with many dignitaries, but remain poor forever. The case of Fanus Punji of Kalahandi is another bright example,” said Sureswar Satapathy, an elite citizen of Bargarh.
Under her guidance, a college teacher in Bargarh wrote a short play entitled ‘Lekri’ (torn up clothes ) that narrated the poverty of the versatile lady artist. The play depicts how all prizes, medals, felicitations and citations etc were meaningless for her and she needed money for survival that nobody gave her. But that drama couldn’t be staged as yet although it was completed when Gurubari lived.
“Till end of her life, a small pension from the Government and mercy of the villagers was the main source of her livelihood,” said her villagers.
BHUBANESWAR: The State Government has decided to build separate hospitals for the new medical colleges at Balasore, Balangir and Puri. The hi-tech hospitals are likely to be ready within next six months.
While construction of buildings for the medical colleges is underway, it was earlier decided that the existing district headquarters hospitals (DHHs) will be upgraded as per the norms of Medical Council of India (MCI).
The Centre had approved establishment of five Government medical colleges and hospitals at Balasore, Koraput, Balangir, Baripada and Puri in 2014. It was announced that all five medical colleges would have student intake capacity of 100 each and around `200 crore would be spent for upgradation of the DHHs to a full-fledged medical college and hospital in each district.
While existing DHHs at Koraput and Baripada are being upgraded as per the MCI norms, it is not feasible to upgrade the hospitals of rest three districts, sources said.
Health Secretary Arti Ahuja said at a high-level meeting chaired by the Chief Secretary, it was decided that separate hospitals will be constructed for the medical colleges at Balasore, Puri and Balangir.
“The Works Department will prepare the estimate for these new hospitals on and without turn-key basis. The estimate for equipment, instruments and furniture (EIF) will be prepared separately,” she said.Though it has not been decided whether the construction work will be done on turn-key basis, the Works Department has been asked to submit the estimate on turn-key basis and also separate estimates for civil work and EIF by September 30.
Since the Government is willing to start admission in these new medical colleges next year, ideally the infrastructure should be ready by March next. The admission can only be possible after a team from MCI gives its nod following infrastructure inspection.
While Chief Minister Naveen Patnaik had laid the foundation stone for the medical college at Balasore on October 28, 2014, the same at Puri and Balangir was done on July 4 and August 30 last year. The Government has also created posts for these medical institutions.
In the month of Aswina, on the Mahaastami day of Durga Puja, people of Western Orissa celebrate Bhai Juntia. A total fasting is observed by young girls and women for the entire day and night to seek the blessings of Goddess Durga for amelioration and long life of their brothers. In villages young girls usually dance in small groups during this celebration which is known as Dalkhai dance. Dalkhai is a ritual-based folk dance which is accompanied by several musical instruments as well.
Dalkhai is basically a folk deity. Her abode is known as Dalkhai kuthi. The name Dalkhai is derived from the name of the deity as the dance is performed in her name. In the past, people worshipped the jungle deity to protect themselves from the wild animals and other dangers. Afterwards the deity became synonymous with Durga or Bana Durga. Usually through this dance they pray for the general happiness of the family and the village as a whole.
On the Durga Astami day young girls assemble on the bank of a river or a pond to take bath. One of them brings seven palm-full of sands and built a small platform for worship, they put four mango leaf and place burning wicks on them. This ritual is repeated seven times as seven girls bring palm-full of water and follow the same ritual. Thereafter prayers are offered to goddess Dalkhai for the well-being of their brothers. This is followed by songs and dances, where all the people – young or old – participate with equal enthusiasm. Earlier during the dance, young girls and boys join together in a question answer session.
In the afternoon, at Pantibela, all the girls assemble near the Dalkhai Kuthi with their baskets containing sand and other materials for worship. Some of them get dressed like Parvati and Iswara, while the rest of them carry umbrella, a stick and a water jug (Kalsi). In a procession they move to seven houses and come back to the Dalkhai Kuthi. Inside the Dalkhai Kuthi they perform several acts of the mythology. One of them acts as Bhima and some other act as Kubera. Bhima brings paddy from Kubera and sows it in the field. Songs and dances enacting various scenes from the mythology are essential part of Dalkhai.
Returning home the girls prepare for further rituals. They prepare leaf cups containing piece of sugarcane, yellow thread called 멽ita?, 108 pieces of duba (evergreen grass), 108 pieces of unbroken rice; along with it small branches of Amla and Dahana (a sweet smelling leaf), puffed rice and dhup are placed. Separate leaf cups are arranged for each brother.
After taking bath in the river bank they prepare platform for worship. Fruits like ladies finger, frankincense (Kunduru) etc. are placed as offerings to the goddess Dalkhai. Then they change their clothes and carry their baskets and assemble near the Dalkhai Kuthi. They collect seven clay statues of Parvati, Iswara, Ganesha, Tortoise and Bull are placed inside the Dalkhai Kuthi. The ritual starts with Dhunkel and Bharni beat of the dhol. It is often seen that a person becomes possessed by a spirit of one of the deities. The villagers ask several questions regarding the wellbeing of the village. The ritual then comes to an end.
On the ninth day, all the girls again assemble near the Dalkhai Kuthi. After collecting all the articles used for the ritual on the previous day, they move in a procession accompanied by drumming of dhol and nissan to seven houses and then to the river bank to immerse all the articles. After taking bath they return home, and the 108 dub, 108 rice and yellow thread are offered to their brothers. Till the end of the tenth day of Dasahara, they are engrossed in Dalkhai dance. The entire village plunges into an energetic mood by the intoxicating effect of the melodious song and dance.
Dalkhai is performed as a ritual, whereas dance and song remains its principal interest. The dancers stand in a semi-circular formation during the dance. One after another they sing a couplet and at the end of it they dance in a particular way by bending at the waist level and move their feet rhythmically accompanied by musical instruments.
During the song dhol is played and subsequently other musical instruments like Nishan, Tasha, Jhanj and Muhari are accompanied.
The songs are composed from couplets to sixteen lines. The singer begins the song uttering “Dalkahi Re, Dalkahi Re” (twice) and finishes the lines with another pronouncement of “Dalkahi Re”. Mostly the songs are of romantic themes. At times one can find the description of nature, seasons, gods and goddesses; sometimes satire and teasing also. The singers have to depend entirely on their memory while rendering the songs – presence of mind comes handy.
During rendering Dalkhai usually Raserkeli, Mailajada, Jaiphul are also rendered. The lyrical depiction of Rasarkeli, MaelaJada and Jaiphula may look similar with Dalkhai. However, the song and rhythm of drums has different beats and style.
Dilip Kumar Padhi VU2DPI