Posts filed under ‘PushPuni’
There is a deliberate attempt by the Government of Odisha to suppress the Kosli language and culture, alleged Kosal Kranti Dal (KKD) working president Baidyanath Mishra at a Press conference here on Wednesday.
He said teachers and para-teachers are being recruited to appease the minor ethic groups, including Bengali and Telugu, in the State whereas Kosli spoken by almost one and a half crore people is neither given official status nor is any step being taken for its growth due to a high degree of inferiority complex on the Government’s part.
Mishra said thousand of books in Kosli using Odia script have been published in different branches of Kosli literature, but the Government does not have any affirmative stance for promoting the rich literature. This “step-motherly attitude” towards Kosli, coupled with acute regional imbalance and other parochial considerations, has led to discontentment among the people concerned and a strong opinion to split the State.
“The recent activities of the Government and some NGOs have posed a threat to Kosli language and culture,” he alleged and called upon the people of ‘Kosalanchal’ to remain alert. The strategy of “Utkalisation of the Kosal areas” is a calculated one, but the Government has not been successful in the past nor would it be successful in future because of its ill motive as negative action would only bring negative result, he remarked.
Mishra was launching Kosli No-1, a music album brought out by Karan Raj and his young team. Congratulating all those involved in the project, he advised them to adopt the twin strategy of promotion and safeguard for their language and culture.
Editor of Paschimanchala Surama Mishra was the guest of honour on the occasion. Sagar Singh Manki, Ram Chandra Amat, Jai Singh Singh and Hrudanand Behera were among others present.
Following is an article taken from the Orissa review. This article is written by Susil Kumar Panigrahi of Dalaipara, Sambalpur.
Pousha Purnima, an annual festival based on agriculture is observed on fullmoon day of the month of Pousha. The festival is celebrated throughout Western Orissa, both by the rural and tribal folk.
In some areas, it is also called Pousha Parva or Pausha Punei. But the most popular name, specially in rural areas as “Chher-chhera”. The term chher-chhera has probably evolved by corruption of the word ‘char-char’ meaning a drum. Drum is an integrated part of the Pausha festival, as drum beating and dancing to the tune of beat is a must.
Pousha Punei is different from other agriculture festivals of this area. It is largely a communal jubilation related to the new harvest and celebrated through feasting and merrymaking. The festival is characterised by two important events for the farming community – the annual contract of land labouers comes to an end and payments by landowners and agreements on fresh contracts are finalised for the ensuing year.
Interesting and enjoyable scenes are enacted in the streets of villages. Jubilant boys and girls raise funds for ‘chher-chhera’ feasts from the families in the village, regaling them with their dance and music. In some villages, mock quarrels between angry old grand mothers and naughty children are organised. These events are entertaining and create a great deal of amusement and laughter among the audience.
Among the tribals too, it is a festival of merry-making. After harvest men and women enjoy the day by community dancing to the rhythm of drummers.
In some parts Pausha Parva has a special religious significance with some tribes offering animal sacrifice to their goddess. The Pausha Festival is concurrent with other harvest festivals like Pongal in other parts of the country at the same time of the year. Dhanuyatra – the largest open air theatre in the world come to the end on the Pousha Purnima.
It adds colour to the festival in Bargarh area of Western Orissa.