Posts filed under ‘Drama’
BALANGIR: A play in Koshali language was the highlight of the concluding day of five-day national multi-lingual theatre festival ‘Matkhai Mahotsav’ at Balangir on Saturday. The festival was organized by socio-cultural organization Bhumika.
The play ‘Gara Bandha’ revolved around erstwhile royal tradition of hunting by kings. Gara Bandha was a man, who used to accompany kings and symbolized the prey during hunting.
“The play depicted the life and struggle of a Gara Bandha. It portrayed the exploitative royal tradition. Through the play we want to send a message across the society how in the past right to life was violated,” said president of the festival Chittaranjan Das.
Odia play ‘haat’, based on plight of bonded labourers, pulled huge crowd as Balangir is known for large-scale migration. Another play Gabbar Ghichor in Bhojpuri also portrayed migration woes.
A Delhi-based drama troupe performed Nachnia (dancer), based on struggle and livelihood of dancing community. “The play mirrored how the dancing communities were looked down upon by the society. They were artiste yet they never got due recognition and respect,” said Dharmendra Nanda, member of the festival.
On the closing day, BJP state president K V Singhdeo attended the festival as chief guest.
“Matkhai Mahotsav is not only offering entertainment through plays but also proving to be a tool for spreading socio-economic and socio-political awareness,” said chairman of the festival Narasingh Mishra. Matkhai is the name of a hill, situated on the outskirts of the town.
Following report is from the Sambad:
Following is a clip from the Sambad:
Following report is from the Sambad:
Following is a report from Sambad:
There is a deliberate attempt by the Government of Odisha to suppress the Kosli language and culture, alleged Kosal Kranti Dal (KKD) working president Baidyanath Mishra at a Press conference here on Wednesday.
He said teachers and para-teachers are being recruited to appease the minor ethic groups, including Bengali and Telugu, in the State whereas Kosli spoken by almost one and a half crore people is neither given official status nor is any step being taken for its growth due to a high degree of inferiority complex on the Government’s part.
Mishra said thousand of books in Kosli using Odia script have been published in different branches of Kosli literature, but the Government does not have any affirmative stance for promoting the rich literature. This “step-motherly attitude” towards Kosli, coupled with acute regional imbalance and other parochial considerations, has led to discontentment among the people concerned and a strong opinion to split the State.
“The recent activities of the Government and some NGOs have posed a threat to Kosli language and culture,” he alleged and called upon the people of ‘Kosalanchal’ to remain alert. The strategy of “Utkalisation of the Kosal areas” is a calculated one, but the Government has not been successful in the past nor would it be successful in future because of its ill motive as negative action would only bring negative result, he remarked.
Mishra was launching Kosli No-1, a music album brought out by Karan Raj and his young team. Congratulating all those involved in the project, he advised them to adopt the twin strategy of promotion and safeguard for their language and culture.
Editor of Paschimanchala Surama Mishra was the guest of honour on the occasion. Sagar Singh Manki, Ram Chandra Amat, Jai Singh Singh and Hrudanand Behera were among others present.
SAMBALPUR: The once popular song of ‘Rangabati’ may have faded over the years, but lyricist Mitrabhanu Gauntia’s musical feature ‘Pakhal Khurithi Mahara’ (Poison in the Rice Bowl) bagged the first prize at the Akashvani Annual Award-2010 in farm and home category which was declared on Friday in Delhi.
The musical feature, produced and directed by D Someya with music score by Prafulla Kumar Mitra, revolves around the need for a Second Green Revolution for quality foodgrains and promotion of bio-fertilizers, bio-pesticides and bio-management practices. Indiscriminate use of chemical fertilisers and pesticides has adversely affected the land and living beings. There is residual poison in almost all the food materials and even in the rice bowl, the song conveys.
It aims at creating an awareness through the musical feature so as to reach across a large section of people and leave a lasting impression on them, said D Someya, who dedicated the award to his entire team.