Posts filed under ‘Dalkhai, Rasarkeli, Bhamara, Nialmalli, Jaiphula and others’
Update: Following is a report from TOI:
BHUBANESWAR: The traditional form of worshipping Goddess Durga through dance and music has started. Young unmarried girls (locally called kuanris) in Nuapada district are performing ‘Dalkhai’ – a traditional form exclusively performed during the puja – to worship the goddess.
Dalkhai, though typical to western Odisha, is slowly losing its popularity. However, the entire Komna and parts of Khariar blocks in Nuapada have kept up the tradition. The dance is performed for 36 hours to the tunes of dhol (trumpet) and muhuri (flute).
Every year, the dance is performed at a chosen spot, preferably near a river. The ritual starts in the early morning on Saptami. Young dancers, accompanied by musicians, collect sacred sand from the river bank and make idol of the goddess. They place the idol under a tree and worship it. After the rituals are over, they start dancing till evening the next day ( Ashtami). During the process, performers have to fast.
According to Bana Khatri, a resident of Komna, this is a much coveted moment for girls here. “The tradition dates back to primitive days and young girls feel sacred after worshipping Durga and dancing before Her,” said Khatri.
The dance form, which is also performed publicly, can be traced back to the old tradition practiced in Nuapada when untrained dancers used to perform in order to appease the Goddess. Considered as a folk dance, Dalkhai captivates audience if performed in the original form.
A senior villager, Pitambar Letkabar, said over years, the original dance form has been distorted. “One needs great devotion to perform this dance. The young girls perform the dance joyously and devotedly,” said Letkabar.
Following report is from the Sambad:
Following report is from the Sambad:
There is a deliberate attempt by the Government of Odisha to suppress the Kosli language and culture, alleged Kosal Kranti Dal (KKD) working president Baidyanath Mishra at a Press conference here on Wednesday.
He said teachers and para-teachers are being recruited to appease the minor ethic groups, including Bengali and Telugu, in the State whereas Kosli spoken by almost one and a half crore people is neither given official status nor is any step being taken for its growth due to a high degree of inferiority complex on the Government’s part.
Mishra said thousand of books in Kosli using Odia script have been published in different branches of Kosli literature, but the Government does not have any affirmative stance for promoting the rich literature. This “step-motherly attitude” towards Kosli, coupled with acute regional imbalance and other parochial considerations, has led to discontentment among the people concerned and a strong opinion to split the State.
“The recent activities of the Government and some NGOs have posed a threat to Kosli language and culture,” he alleged and called upon the people of ‘Kosalanchal’ to remain alert. The strategy of “Utkalisation of the Kosal areas” is a calculated one, but the Government has not been successful in the past nor would it be successful in future because of its ill motive as negative action would only bring negative result, he remarked.
Mishra was launching Kosli No-1, a music album brought out by Karan Raj and his young team. Congratulating all those involved in the project, he advised them to adopt the twin strategy of promotion and safeguard for their language and culture.
Editor of Paschimanchala Surama Mishra was the guest of honour on the occasion. Sagar Singh Manki, Ram Chandra Amat, Jai Singh Singh and Hrudanand Behera were among others present.
BHUBANESWAR: The city swayed to ” Rasarkeli” and ” Dalkhei” on Sunday as natives of western Odisha settled in the state capital organized the annual grand cultural extravaganza of Nuakhai Bhetghat here.
The 1000-strong audience at Adivasi Padia was left spellbound as girls dressed in traditional sarees performed these folk forms, popular in the tribal-dominated western part of the state. Ghudka nacha of Bargarh, Samprada of Barpali amd Danda nacha of Dumerdhipa were the other major attractions. “It was a marvellous show,” said Venkat Kumar, a student.
Speaker Pradip Amat, Western Odisha Development Council chairperson Padmini Deo, among others, attended the cultural show, named after agrarian festival Nuakhai. The get-together is being organized in the state capital since 1972.
Mahendra Nayak, Western Odisha Agrani Sangathan, organizer of the event, said this year’s bhetghat was dedicated to eminent poet Gangadhar Meher, marking his 150th anniversary. The sangathan has instituted a Gangadhar Meher Samman this year. Eminent literary personality Manindra Kumar Meher has been selected for the award for the first time, he said.
Nayak said the sangathan has acquired two acre land on the banks of Bhargavi river at Hirapur village to build a Samalei temple. Besides, land has been acquired to build a village for 120 western Odisha families near Nandankanan, he said.
SAMBALPUR: Even as Sambalpur shivered, the biting cold could not deter art lovers from thronging the Gangadhar Mukti Manch on the second day of the 15th Sambalpur Lok Mahotsav here this evening.
The evening began with traditional folk song of the district followed by solo performance of ‘Dhunkel’, a musical instrument on the verge of extinction. It was followed by foot-tapping folk dances of Dalkhai by artistes from Sambalpur, Sohala Suanga and Ravanchaya dances by artistes from Angul, Daka of Phulbani, Jamudali by artistes from Sonepur, Bajasaal by artistes from Kesinga in Kalahandi and Dandari dance from Jharsuguda.
Besides, folk dances like Mathuri from Andhra Pradesh, Gajijhumar from West Bengal and Holi by a troupe from Madhya Pradesh captivated the audience. Devoid of much of entertainment, the gathering left impressed and spellbound with scintillating performance by the folk artistes.
Sambalpur University Vice- Chancellor AK Pujari, Chairman of Orissa Lift Irrigation Corporation Rohit Pujari, MARKFED Chairman Prabhataditya Mishra attended.
Bargarh District Administration, people of Sambalpur town, and Koshal Mahasabha come out to help Sambalpuri dancing star’ “Gurubari Mirdha”
Following news is from The Samaj:
SAMBALPUR: She had held the then Prime Minister Indira Gandhi spellbound with her dance performance when she was just 16.
Forty years later, the dancer is old and helpless, living in an incomplete Indira Awas Yojana house with her husband. She does not even get two square meals a day. Her husband, who suffers from a fractured leg, is also not in a position to earn a living. The ailing couple lives at the “mercy” of locals.
The extremely talented Sambalpuri (Dalkhai) dancer, Gurubari Mirdha, is today bedridden in her house in M Gandpali under the Bijepur police station of Bargarh district, about 85 km from Sambalpur. She wiles away the hours reminiscencing her halcyon days. Indira Gandhi, who had a great fetish for Orissa art and culture, could not resist the temptation of joining her on stage when she was performing in the Capital in 1968. The turning point in her career, felt the dancer, was this performance in Delhi. “I was taken aback by the Prime Minister’s spirited move. She joined me on stage. I was a little nervous but she made me feel very comfortable. She held my hand and danced with me. Later, we photographed together,” recalled the dancer.
Gurubari, who is now 56, has received numerous awards and citations from organisations like the Orissa Sangeet Natak Akademi, Adivasi Bhasa Sanskruti Academy, Mathkhai Utsav, Bolangir and Lokmohotsav Sambalpur.
She also gave many performances on Doordarsan.
Her room is stacked with certificates and mementoes that talk about her glorious past. “I received several awards and mementoes during my 40-year career, but these are now meaningless as I am starving,” she said. “Earlier we could manage with my husband’s earnings. He was a daily labourer but the fracture has rendered him jobless,” complained Gurubari.
Good Samaritans in her locality extended a helping hand to the couple to tide over their financial crisis. “But the money given to her is not sufficient,” said retired MD of OHPC, K K Supkar. “She needs a regular income.”
Neighbour Biranchi Sahu said, “We feel proud to belong to her village. We try to help her whenever possible. But the government should do something long-term in her interest.” Sahu felt the Indira Awas Yojana accommodation given to her by the government, can be completed for one, with provision for water and sanitation.
When contacted, district collector, Bargarh, expressed ignorance about the dancing star’s plight but assured he would look into the matter. “Since I am new to the district I have not much idea about her condition. But I will take necessary steps to alleviate her suffering,” promised Bhabagrahi Mishra, the collector.
The association says western Orissa has developed a unique culture which expresses itself in a language called Sambalpuri that is distinct from Oriya. The folk songs and dances of Sambalpur are not only expressions of emotions but also of finer elements of life and living scientifically, fused into the rhythm of the percussion instruments of the region. In fact, the songs and dances have been revived and recognised in the past quarter of a century. In Orissa, Sambalpuri dance is so popular that it comes next only to the State’s classical dance, Odissi.
The Sambalpuri dance has a number of forms, with different lyrics and rhythms, that have originated from different castes/tribes and ethnic groups in the area and are based on different religious festivals/rituals and deities. Although a number of folk instruments were used in Sambalpuri music, song and dance, only four among the oldest percussion instruments such as dhol, mandal, nishan and tasha are now used, the association says.
Tours to Sambalpur are unforgettable journeys through the varying landscapes, rich cultural and folk traditions, and art forms that are unique to the western region of Orissa. Long considered a gateway to unlocking the treasures of beauty and art housed within Orissa, tours to Sambalpur is a must at least once in your lifetime.
A famous university town in Orissa, Sambalpur has fascinating escapes all planned for the adventurous traveler who wills to explore the raw gregarious beauty of the region. Tourism of Orissa helps you realize your wishes with its customized tour packages to Sambalpur.
Covered in dense evergreen forests, Sambalpur is an exposition of waterfalls, wildlife, tribal culture, folk dance and music, handicrafts and monuments. Known as Sambalaka in Ptolemy’s account of Orissa, Sambalpur was once the center of Vajrayana Buddhism propagated by the then ruler of the region – Indrabhuti. The major tourist attractions within Sambalpur are the temples of Samaleswari, Patneswari, Budha Raja, Brahmapura and the Gopaljee monastery. Also shop in the local markets such as the Gole Bazaar and the state emporiums or co-operatives for Sambalpuri textiles (ikat weaving). You can also attend a show of Sambalpuri dance in the nearby tribal villages.
There are many attractions within easy reach of Sambalpur that ought not to be missed on your tour to Sambalpur, Orissa. Hirakud Dam across the mighty Mahanadi River is the longest dam in the world that affords breathtaking view of the expansive river and the banks that recede from view. The most spectacular views can be seen from the minarets at the two ends of the dam – Gandhi and Nehru Minar.
Ushakothi Wildlife Sanctuary and the Badrama National Park are popular tourist destinations with the wildlife enthusiasts. The national park and sanctuary extend shelter to endangered species such as elephants, tigers, gours, sambars, black-panthers, deers and wild boar.
Other places that are also popular tourist destinations in Rourkela include the temples of Vidala-Nrusimha and Harisankar along with the mesmerizing waterfalls at Nrusimhanath; the only Leaning Temple of Orissa at Huma; caves with undeciphered pictographic inscriptions at Vikramkhol; and waterfalls of the Pradhanpat Hills.
There are many hotels and lodges in Sambalpur where you can stay comfortably during your tour to Sambalpur.
The western Orissa has also great variety of dance forms unique to Orissa culture.The children’s verses are known as “Chhiollai”, “Humobauli” and “Dauligit”, the adolescent poems are “Sajani”, “Chhata”, “Daika”, “Bhekani” : the eternal youth composes “Rasarkeli”, “Jaiphul”, “Maila Jada”, “Bayamana”, “Gunchikuta” and “Dalkhai”, The work-man’s poetry comprises “Karma” and “Jhumer” pertaining to Vishwakarma and the “Karamashani” deities. The professional entertainers perform Dand, Danggada, Mudgada, Ghumra, Sadhana, sabar – Sabaren, Disdigo, Nachina – Bajnia, Samparda and Sanchar. They are for all occasions, for all time with varieties of rhythm and rhyme. Pala is a unique form of balladry in Orissa, which artistically combines elements of theatre, classical Odissi music, highly refined Oriya and Sanskrit poetry, wit, and humour. The literal meaning of pala is turn. It is more sophisticated than the other Oriya ballad tradition, Daskathia. Pala is presented in three ways. The names can be mentioned as baithaki or `seated`, in which the performers sit on the ground throughout. The other one is thia or `standing`. This is more popular and aesthetically more satisfying, in which they stand. Badi is a kind of thia in which two groups vie for excellence. This is the most entertaining, as there is an element of competition.
Bhubaneswar, March 18 (IANS) Indian Ppremier League cheer leaders will face some competition , in wooing crowds, during the T-20 matches in Cuttack as the Orissa Cricket Association (OCA) has decided to organise a performance by traditional Sambalpuri dancers before the start of every match.
“We have requested the IPL authorities that we would like to include Sambalpuri dance during the IPL matches, which has been accepted by them. We have included Sambalpuri dance to showcase Orissa’s culture during the IPL matches,” OCA secretary Ashirbad Behera told IANS.
“About 70 Sambalpuri dancers will perform for an hour before the start of the match,” he said.
But they will not be a replacement for the popular cheer leaders.
“Cheer leaders are a part and parcel of IPL matches and they will be in action during the matches here. We have set up seven platforms for their performance,” he said.
Kalinga Sena, a fringe political outfit in the state, had threatened to disrupt the IPL matches if cheer leaders perform during the matches.
Cuttack, a non-IPL franchisee city, got a chance to host matches after the Hyderabad-based Deccan Chargers picked Barabati Stadium here as a venue, terming it as their “catchment” area. The Deccan Chargers will meet Kings XI Punjab March 19 and Delhi Daredevils March 21.